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DTSTART;TZID=Europe/Bucharest:20180218T180000
DTEND;TZID=Europe/Bucharest:20180218T190000
DTSTAMP:20260508T164302
CREATED:20180209T133634Z
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UID:40014-1518976800-1518980400@ghidlocal.com
SUMMARY:DanceJAM Performativ
DESCRIPTION:Duminica\, 18 februarie dansam toata ziua in atelierul Echilibru in dezEchilibru iar seara invitam publicul sa ne priveasca intr-un performance de improvizatie.\nDancing Buddhas\, Str. Ioan Huniade\, 21 A\n(Intrare pe baza de donație libera) \nPentru a stabili un limbaj si o atentie comuna vom folosi pe parcursul atelierului si apoi in performance: Contact Improvisation\, Instant Composition si Poetic Movement.  \nRugam atat publicul cat si performerii sa citeasca acest text\, inspirat de viziunea dansatorului Steve Batts\, inainte de performance: \n„… when I am performing I pay more attention to what I am doing. \n– For movement to be dancing it has to have in it the invitation of being watched.  \n– The quality of the watching…\n.. can you allow to be seen in detail? \n.. I want to be articulated.. You are allowed to watch me even though i am a little frightened now.  \n– Even if you write a poetry and put it in the drawer\, inside the poetry is the idea that is could be read. \n– We are good at seeing what is intended and what is accident.  \n– Can I allow breathing to be part of the composition?  \n– We understand a person’s point of view through their disposition/body PRESENCE. \n– We can stretch the SPACE.  \n– How to compose TIME in movement? \n– The first public is my colleague on stage  \n– To be poet you need to be articulate about your articulation. \n– The things that we assume about dancing might not be true. \n– What is dancing? not the body (objective perspective) – not the self expression (subjective/therapeutic perspective)\, it’s the composition. Being object and subject at the same time.  \n– Dancers have to have highly abstract idea of themselves.  \n– Music is the manipulation of perception of sound.  \n– Dancing is dealing with photons of light waves.  \n– We notice when the dancer is thinking about something else. \n– To become a good dancer is to develop the ability of watching\, and then choose\, according to your ability\, the response. \n– How do we know how to respond? We bring with us our embodied memory and imagination. Memory and imagination that makes sense.” \n(link-uri relevale: https://www.facebook.com/ContactBucharestFestival/videos/1906803239639081/ \n\n\n(function(d\, s\, id) {  var js\, fjs = d.getElementsByTagName(s)[0];  if (d.getElementById(id)) return;  js = d.createElement(s); js.id = id;  js.src = 'https://connect.facebook.net/en_US/sdk.js#xfbml=1&version=v2.12';  fjs.parentNode.insertBefore(js\, fjs);}(document\, 'script'\, 'facebook-jssdk')); \n\nPoetic Movement \n"How to compose TIME in movement"a piece of Stephen Batts 's intensive class   in the 2nd edition of our International Contact Improvisation Festival in Bucharest  @ Centrul Naţional al Dansului Bucureşti \nPosted by Contact Bucharest Festival on Tuesday\, November 14\, 2017 \n\n\nIntrebari sau alte detalii:\nAnamaria Guguian\nana.guguian@gmail.com  \nVa asteptam cu drag 🙂 \n
URL:https://ghidlocal.com/brasov/eveniment/dancejam-performativ/
LOCATION:Dancing Buddhas\, Str. Ioan Huniade 20A\, Brasov\, 500449\, RO
CATEGORIES:Ateliere Brasov
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